A Premiere and DaVinci Resolve plugin for silence removal, captions, podcast camera switching, repeated takes, and short clips.
AutoCut
Explore features, practical uses and pricing below.
AutoCut is an editing plugin for Adobe Premiere and DaVinci Resolve. Its purpose is to automate repeatable tasks inside an existing editing project: removing unwanted silence, producing animated captions, switching podcast cameras, adding zooms, finding repeated takes, and preparing shorter versions. The editor continues to work in the host application's timeline. This makes AutoCut relevant to people who already use a desktop editor and want assistance with the first pass or the repeated finishing work around spoken content.
The official AutoCut website identifies Premiere and Resolve as its supported editing environments. Its current address is autocut.com; older references may use autocut.fr. The important buying question is which tasks recur in your own recordings. An interview editor dealing with hours of conversation has a different need from a filmmaker cutting an atmospheric scene where silence is intentional. AutoCut's tools are most useful when the editor can define the desired behavior and review what the automation changes.
AutoCut Silences detects pauses from audio and creates cuts according to user settings. Its feature page describes a decibel threshold, track selection, speaking duration, padding, and a preview before removal. These controls matter because the correct definition of silence varies with a recording. A quiet speaker close to the microphone and a louder speaker in a noisy room can need different settings even if both videos are intended to have the same pace.
Padding leaves space around retained speech. Too little can produce abrupt starts, clipped breaths, or a sequence that feels hurried; more padding can preserve a conversational rhythm. The useful initial choice is a short representative section with normal speech, a quiet phrase, and a longer pause. Review the proposed cuts there before applying the process across the recording. The preview is a chance to assess the actual boundaries instead of accepting a threshold solely because its number appears reasonable.
Silence removal is particularly relevant to recorded lessons, talking-head explanations, and demonstrations with repeated waiting periods. It is less straightforward where a pause carries meaning or the viewer needs time to observe an action. If a presenter stops speaking while completing a step on screen, the audio gap may contain essential visual information. Decide whether to retain that section, shorten it manually, or cover it with narration. AutoCut provides a repeatable operation, while the lesson's meaning determines how it should be used.
AutoCaptions produces animated captions with styling and translation options. It brings the text treatment into the same editing workflow as the video, so caption appearance can be developed alongside the sequence. This is useful for creators producing repeated formats, such as interviews with consistent brand colors or vertical explainers that need a recurring caption style. The feature's value is the combined timing and styling work, rather than a guarantee that transcription will never need correction.
Check the words before refining the animation. Names, specialist terms, and short words spoken over one another are often the parts that deserve particular attention in an automated transcript. Read the captions against the audio and make sure a line break does not change the meaning. For an instruction such as “do not disconnect the cable,” all parts of the warning need to remain visible and readable together. A lively word animation is secondary to communicating that sentence correctly.
Develop a caption style on a difficult shot, not only on an empty background. Test it over faces, detailed screen recordings, bright areas, and the platform's likely interface overlays. Review a vertical export at the size viewers will actually see. The same nominal font size can feel different across aspect ratios and crops. A reusable style is helpful only after it has been checked against the kind of footage the series will regularly contain.
AutoCut Podcast detects speakers and switches camera views. AutoCut describes assigning each participant an audio track, mapping participants to camera tracks, and setting minimum and maximum shot durations. It also supports assigning more than one participant to a camera, which is relevant when an interview has both individual close-ups and a shared wide shot. These are explicit editing parameters rather than an instruction to use the same cut pattern for every conversation.
Good track preparation makes this workflow easier to assess. Establish which microphone belongs to which person and confirm that the video tracks are synchronized before running the camera pass. Listen for microphone bleed, a participant laughing while someone else talks, and interruptions. The useful review is whether the displayed angle makes sense at those moments. A cut to the loudest microphone can be technically understandable while missing the more interesting reaction.
The duration controls let an editor establish a starting rhythm. A reflective discussion may suit longer views, while an energetic exchange may need more frequent changes. After the automated pass, retain reaction shots and wide views where they serve the conversation. A speaker-based sequence can be an efficient draft, but the final edit also depends on expression, context, and the relationship between participants. Those are reasons to watch the result as a conversation rather than treating every detected turn as a mandatory camera change.
AutoZoom adds automatic zoom treatments. A change of framing can provide visual variety in a static explanation or help punctuate an edit. Before applying it throughout a video, check whether the source has enough image detail and whether the tighter frame preserves the content. A crop that works for a face may hide an object the presenter is describing. Keep the zoom treatment consistent with the series instead of letting movement compete with the information.
AutoB-Rolls adds supporting visuals, including AI images and Storyblocks footage, to the timeline. B-roll can clarify a spoken idea or cover an edit, but relevance needs more than a keyword match. If an interview discusses a specific facility, generic footage should not silently imply that it depicts the actual location. Review each suggested insert for subject, visual style, and its relationship to the words. Asset access and use should also be checked through the current product workflow.
In a product tutorial, prioritize footage that shows the action the viewer needs to understand. A decorative stock clip can be less useful than a plain screen recording of the actual step. For a broader explanation, a supporting image may help establish the idea without distracting from the presenter. Use the automation to produce candidates, then decide where they belong and how long they should remain. That is an editorial application of the feature, not a claim that every automatic insert is appropriate.
AutoCut Repeat identifies repeated takes so the editor can remove unwanted attempts. This is useful when a presenter starts a sentence, stops, and records it again in the same file. The relevant review is which take communicates the intended wording and fits the surrounding delivery. A technically fluent attempt may contain the wrong fact, while an earlier attempt may be correct and easier to repair with a cutaway.
AutoViral finds moments in longer videos for short clips. Despite the product name, a selected moment is a candidate for a short version, not a prediction of audience performance. Review whether the clip provides its own context, whether a viewer understands who is speaking, and whether the ending fulfills the opening. An isolated sentence from an interview can sound misleading without the qualification that follows it.
AutoResize adapts framing for social formats while keeping the subject in view. Cropping still needs a pass through the full clip, especially with multiple speakers, product demonstrations, or slides. A useful short version has appropriate wording, understandable pictures, readable captions, and a clear ending. Automatically changing the aspect ratio addresses just one of those requirements. Plan to inspect the new version as its own video.
AutoCut's toolkit also includes a profanity filter and chapter generation. The product overview describes bleeping, muting, or removing identified profanity and producing chapter timestamps for YouTube. These operations suit different delivery requirements. A muted word can preserve picture timing; removing a section changes the sequence. Chapter text should represent the actual topic at the corresponding timestamp and be reviewed after any edits that alter duration.
For a podcast series, establish the finishing conventions before applying them. Decide which words need intervention, how the intervention should sound, and how chapters should be named. Check that a phrase used innocently in a specialist context was not treated as unwanted language. After revising the episode, check the chapter boundaries again. Repeated operations become more useful when the team has a consistent definition of the desired result.
Imagine an editor receiving a two-person interview with individual microphone tracks, two close-ups, and one wide camera. Start by syncing and labeling the source tracks in Premiere or Resolve. Duplicate the sequence before processing so there is a clear version to return to. Test silence removal on a section containing both normal dialogue and an interruption. Choose padding that tightens dead air while leaving the exchange intelligible.
Next, map participants and cameras for AutoCut Podcast. Set a starting shot duration that suits the tone, generate the camera pass, and watch the episode for important reactions and inappropriate switches. Correct the story and the timing before adding captions. Then identify possible social excerpts with AutoViral, review their context, and create the aspect-ratio variants. This order reduces the chance of polishing captions on material that later disappears from the edit.
Finish each selected clip as a separate deliverable. Correct caption wording, check cropped framing, inspect any inserted visual, and listen to every edit boundary. Export through the host editor and review the output file. The example combines documented AutoCut features with editorial advice; the exact sequence settings will depend on the recording. Its aim is a reviewed episode and useful excerpts, rather than an unexamined collection of automated cuts.
AutoCut has a clear fit for podcast editors, recurring YouTube productions, training teams, and agencies making many versions from spoken recordings. The strongest reason to consider it is that the same time-consuming task appears across projects. Someone who already has an established Premiere or Resolve workflow can assess a plugin without redesigning the whole production process. Someone who needs only a browser editor should first consider whether a supported host application is necessary for their work.
The plugin depends on the host editing environment and on useful source preparation. Incorrectly mapped microphones, unsynchronized cameras, and unsuitable silence settings can create a poor starting sequence. Transcripts and clip selections also need substantive review. These practical limits do not make the automation ineffective; they explain where human preparation and judgment belong. Compare the time spent configuring and reviewing the result with the manual work the tool replaces on a representative episode.
AutoCut is paid software with a trial. Its pricing page distinguishes a Basic plan for silence removal, an AI plan for the broader toolkit, and an Enterprise offering with team licensing and centralized billing. It offers monthly and annual billing and advertises a trial without a credit card. Consult the current table for prices and feature availability, and include the cost of Premiere or Resolve access in the overall workflow budget where applicable.
No. The product is a plugin for supported Premiere and DaVinci Resolve environments. The host editor remains the place where the sequence is edited and exported.
Yes. AutoCut documents threshold and padding controls and a preview. Test those choices on quiet speech and meaningful pauses before processing an entire recording.
No. It identifies potential moments. The editor still needs to check context, story, framing, captions, and the suitability of the clip for its intended audience.
The current pricing page restricts Basic to silence removal. The broader functions are associated with the AI toolkit; check the live comparison before subscribing.